Interviews
Spectacle comes in different shapes and forms, in the quietest breaths to cacophonous squalls. From the first singing drones and soft voice incantations, Leo Chang’s Live at CPR had me. Metallic resonances bleed into deep, almost guttural rattles while feedback hovers at the edge of control. It feels wild and uncontained, visceral and immediate. The […]
Interviews
miska lamberg makes ambient music from the world as it exists, not how we wish it sounded. Their debut album Evening, window gathers overlooked moments (rainfall, distant traffic, animal calls, etc.), weaving them into compositions that feel both intimately familiar and mysteriously transformed. I recognize this sonic space even though I’ve never been here before. […]
Interviews
Ishmael Ali’s cello work moves through a remarkable range of terrain on Burn the Plastic, Sell the Copper. Jazz rhythms inflected with pointillist electronics create subdued but still infectious grooves. Improvisational rivers flow through the record’s ten tracks, carrying tactile string timbres and quick movements across the fingerboard that spring sharp-angled, strange melodies into existence. […]
The Capsule Garden
Somehow it’s February. January went on forever, and in some ways feels like it never ended, but apparently it did. Anyway, tomorrow is the first Bandcamp Friday of the year, and while there are certainly plenty of criticisms to be levied there, if you are throwing some bucks at some rad artists, I wanted to […]
Interviews
Spectacle comes in different shapes and forms, in the quietest breaths to cacophonous squalls. From the first singing drones and soft voice incantations, Leo Chang’s Live at CPR had me. Metallic resonances bleed into deep, almost guttural rattles while feedback hovers at the edge of control. It feels wild and uncontained, visceral and immediate. The […]
Interviews
miska lamberg makes ambient music from the world as it exists, not how we wish it sounded. Their debut album Evening, window gathers overlooked moments (rainfall, distant traffic, animal calls, etc.), weaving them into compositions that feel both intimately familiar and mysteriously transformed. I recognize this sonic space even though I’ve never been here before. […]
Interviews
Ishmael Ali’s cello work moves through a remarkable range of terrain on Burn the Plastic, Sell the Copper. Jazz rhythms inflected with pointillist electronics create subdued but still infectious grooves. Improvisational rivers flow through the record’s ten tracks, carrying tactile string timbres and quick movements across the fingerboard that spring sharp-angled, strange melodies into existence. […]
Interviews
Delphine Dora’s D’une nostalgie inconnue feels ageless, almost archaeological. This music holds an interminable spirit, and listening to the album is like peering through a prism into another time. Dora’s voice is the beacon pulling us in, guiding us through improvised piano and harmonium pieces she recorded during a 2022 residency in rural Portugal. Street […]
Interviews
So much of Manja Ristić’s work reshapes my perception of environments and landscapes, and the sonic imprints they leave on us. Lisboa is a unique entry in her vast catalog, born from wandering freely through the Portuguese capital without predetermined paths or agendas. The sounds here feel tactile, almost physical in their presence. Gentle city […]
