Autonomous Until Death: An Interview With Reducer’s Hooly ‘The Human Aerial’
When Reducer’s newly released self-titled 12″ opens with a calm, unassuming voice saying, “Welcome to the night train,” there’s no hint at the all-out sonic chaos that’s about to ensue. Active in the mid-80s in Northampton, Reducer were as much ahead of their time as they are utterly timeless. Visceral instrumentation with dropkick beats and […]