Foxy Digitalis
Ann Eysermans’ last album on cortizona, For Trainspotters Only, was an incredible feat. For her latest, Moonlight Shadoh, she moves on from trains as inspiration to create something more intimate, a tribute to her dog Shadoh. When “PUMST” opens with an amalgamation of dark textures and harsh, wistful melodies, we’re whisked into a world of […]
Foxy Digitalis has been back for just over two years now, and I find it difficult to get my head around it. Throughout that period, though, the core idea and drive have remained the same, even if the pieces and structures have shifted somewhat. I’m excited the site launched a handful of new columns and […]
Foxy Digitalis depends on our awesome readers to keep things rolling. Pledge your support today via our Patreon. A month or so after hearing Ann Eysermans’ magnificent album For Trainspotters Only for the first time, I am still totally enthralled by its sonic combinations and emotive strength. Beyond her skill as a musician and composer, Eysermans interest in trains is […]
Each passage on Ann Eyserman’s beguiling and transformative debut album, For Trainspotters Only, is a reminder that all sound is just vibrations, and no matter the timbre or cadence, on some base level, they are drawn together with an elemental affinity. Eyserman’s combination of harp and train recordings seems contradictory on the surface, but in the […]