Foxy Digitalis
M. Sage is one of the most generous and thoughtful artists. His new album, “Paradise Crick,” finds joy in sonic reverie, and getting lost in that world makes things feel a little brighter. This conversation about the album felt so good. After a rough morning, talking to Sage about whimsy, pleasure, and so much more, […]
A long, busy week comes to a close with the pastoral fantasy of M. Sage’s “Paradise Crick.” It’s such a wonderful record, and I hope you have an opportunity to get lost within it. There was a new Seltzer Salon released yesterday – a great chat with Ben Vida about his latest record. I hope […]
A lot of news from Angel Bat Dawid, M. Sage, Fire-Toolz, and Chris Schlarb crammed into the longest episode so far before I go on and on about the incredible pick of the day. Wednesday episodes are exclusively on Patreon. Sign up now! Album of the day is: Maya Al Khaldi “Other World” Additional links […]
The same restraint and precision running beneath Alberto Boccardi’s most recent album, Petra, sneaks into the architecture of this mix. While these pieces’ rich and evolving textures are front and center, this music covers a wide emotional swath. Boccardi keeps his finger on the pulse, though, guiding listeners through each pace with an unwavering focus. It […]
Foxy Digitalis depends on our awesome readers to keep things rolling. Pledge your support today via our Patreon. Every time Ka Baird puts new music into the world, I know I’ll be surprised. She is unmoved by boundaries and unconcerned by expectations, singularly following a path of her own. I first heard her as part of the inimitable […]
RVNG’s FRKWAYS series has helped facilitate so many essential intergenerational collaborations I never knew I needed. On the latest, they strike gold again with Ka Baird and Pekka Airaksinen. Given Airaksinen’s passing six months after Hungry Shells was recorded, the album has an added layer of importance to it. Airaksinen and Baird created Hungry Shells in Utrecht in 2019, […]
I still remember the first time I heard Pauline Anna Strom’s Trans-Millenia Consort album and being completely mesmerized. It was in the late ‘00s or early ‘10s when kosmische-tinged synthesizer music was anywhere and everywhere, but as soon as “Emerald Pool” gently flowed through my speakers, I knew I was hearing something different, something special. […]