Foxy Digitalis
Shimmering piano accents dance in the margins behind gentle acoustic guitar strums and a quiet electronic buzz, framing Taylor Daukas’s voice in a golden glow on “False Door.” Produced by the Moone Records crew, Janie and Micah Dailey, Daukas’s new EP, Long Gone, is a spectral folk wonder, captured in still life on this opening single. […]
Sam Wenc’s Post Moves project creates moments of stillness while never actually sitting still. His engaging approach to composition and, especially, his use of pedal steel builds unseen connections between expression and reflection. If this music imagines sonic spaces for us to look inward, the result is a bridge to some unknown place. Recall the Dream […]
Gene Tripp gives voice to the void. Crushing distortion hollows out the bedrock holding up our forward progress, collapsing any notion of pretense in a squall of thick basslines and straightforward vocal melodies. As the alter ego of artist and composer Jay Hufman, Gene Tripp is a laser-focused melancholy filtered through a meat grinder. As […]
Shades of sonic waves flicker into view during the opening moments of Post Moves & the Sound Memory Ensemble’s new album, Recall the Dream Breath. Sam Wenc pulls back the curtain here, stripping down his sound to let the sun shine directly on his music’s core. Pedal steel hymnals are the guiding light throughout “Lorraine’s,” imbuing […]
The angles might seem all wrong on The Sheaves’ debut, the exquisitely titled Excess Death Cult Times, but perception is a twisted thing. Winding vocal melodies fall off cliffs, chased by guitar and keyboard structures that could fall to pieces at any minute. So much of The Sheaves’ charm is the ramshackle undercurrent throughout their songs. It’s a […]
New York trio, Mushfoot, started as a quarantined remote collaboration but morphed into something bigger as new layers were added and songs began to take shape. Featuring Ian Davis and Katie Vogel of Relatives and Greg Albert of TheRainbows, Mushfoot is visceral like a familiar landscape stripped of its lush surface so that the gnarled, […]
Freelove Fenner’s last album, the stellar The Punishment Zone, maybe a year old, but that doesn’t mean it’s not still gifting gems. “Baxter’s Column” is one of my favorite songs on the album with its lilting vocal melodies and clever bassline, but my appreciation for it entered a whole new realm with one look at this […]
Ever Ending Kicks is the solo project of Paul Frunzi (New Issue/Hungry Cloud Darkening) of Anacortes, Washington. “Wasabi,” the first single from his new album, Small, is an invitation into this world where the shimmer may be fading, but the muted atmosphere is better, anyway. Pointed guitar melodies reach for the center as Frunzi softly sings, […]
In the folds of Aaron M Olson’s leisurely “Wealth,” a midnight stroll becomes a spell cast to keep sweet memories held close. Olson’s new album, Songs Album, is a languid pop slow burner, simmering in a timeless stew of influences from Jack Nitzsche to Jim O’Rourke. Lush arrangements give way to neon sunsets as “Wealth” bobs […]